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His paintings explore the mythic origins, the natural beauty, and the spiritual strivings of humanity of nature.
Several of her portraits are included in the display. Gallery one and two of the Kejriwal collection hold an extensive number of works dating from s to the s. The folk paintings, Kalighat drawings, Santhal Pat scrolls and Patta Chitra rolls are housed in gallery one along with a collection of caricatures by Gagendranath Tagore and also several graphic prints, aquatints and lithographs, including those by the Daniels.
Raza and Jamini Roy can be seen in this gallery that holds work that is distinctive of the Nationalist art movement in Bengal and the building of an Indian modernist expression.
The Avant Garde of Indian modern art, both painting and sculpture, are the highlight of gallery two in the Kejriwal collection. In the third gallery displaying the Kejriwal collection, there is a grouping of paintings called the Pan Indian Panorama; this collection consists of work by the progressive artists group as well as the generations to follow through until the 90s. The works of S. Iranna, Laxma Goud and others are part of the display including artists who belonged to different artistic schools and geographic regions in India.
In a sculpture gallery was also added to the Parishath complex. Most of these artists were part of a movement initiated to indigenize the sculptural movement after the deep impact of the colonial period.
In the beginning of the 20th century all conventional definitions of art were being systematically challenged, and in India, modern sculptors were grappling with problems of form and content, idiom and expression. The sculptures housed here are of different mediums-terracotta, bronze, fiberglass, ceramic etc.
The gallery also contains drawings and sketches from many artists. He also played an important part in the conception of the Chitrakala Vidyalaya. Coming from a family of scholars, his works have an obvious attachment to Traditional arts and literature. He has attempted to transform sequences from literary works into images that can easily be read.
The method he used to execute his works was the Wash method, followed by the Bengal School. Two of the Lepakshi mural copies are housed in the Galleries of the Parishath part of this collection.
The collections of works that are currently in the galleries were donated upon his death in Krishna Reddy, printmaker and artist donated a large collection of his prints to the Parishath, which are housed in a gallery as a set. He is well-known for his experimentation with viscosity printing which revolutionized intaglio printing and ensured his place in the history of Graphic arts practice.
Schooled in both India and the West, his work combines the technologies of different cultures. Virtually every major museum with a prints collection in the world includes examples of his work.
His work reflects a deep interest in abstraction and geometry. The collection of Mysore traditional style of paintings split between two gallery spaces holds about works.