The Quin Sisters Want to Change the World : Lez Spread the Word
For 36 years, Tegan and Sara Quin have shared a face and a voice. that he and Sara have a date for the following night — because he's going .. Tegan and Sara make their Oscars' debut performing the song at the live up to their name when Tegan and Sara Quin appear fresh out of makeup, Their friends compare anxious Sara to a cat, and breezy Tegan to a dog. “ Boyfriend” is one of Sara's songs, and it sounds like a right-to-reply from .. Stone listed the Quins' rendition of “Everything Is Awesome” as the. High School, a memoir. High School, a memoir by Tegan and Sara, to be published fall A transcendent story of first .
They spoke out on behalf of Against Me! The "Animals" T-shirt features Tegan and Sara, a turtle, fox, koala, penguin, and a dragonfly all labeled with their Latin names.
The text at the bottom reads "Gay behaviour is found in over species. Covers and a portion of ticket prices from The Con's tenth anniversary tour went to the Tegan and Sara Foundation. At the end of The Con 10th anniversary tour in they stated they plan to take two years off from touring to focus on The Tegan and Sara Foundation and to make a new record. The sisters are known to do a lot of onstage banter, which often includes stories and commentary about their childhood, politicsand life on the road; this has become a characteristic trait of their live shows.
InTegan and Sara opened for the band fun. Tegan and Sara toured with Perry from September to October Quin[ edit ] Tegan appeared on Against Me! In AprilTegan wrote and recorded a song titled "His Love" at the request of Augusten Burroughs as a contribution to the audio version of his book A Wolf at the Table. She also appeared in the music video. Sara appears on Jonathan Coulton 's album Artificial Heartproviding vocals for the album's remake of the song Coulton wrote for Valve's game Portal" Still Alive ".
They later called the song "the first time we'd co-written with somebody, so it was the first time someone was giving us feedback on what we'd written You see it reflected in other people too like Stromae and Christine and the Queens but to have it happen in America for me is pretty wicked! When I was 15, you guys were the only current examples of out women making music that were successful.
Who your heroes were in that way? We kinda grew up in a bit of a weird grey area. There were certainly trailblazers - people like K. There were people who I can look back now who I can say in the context of growing up, there was a queerness and fluidity I recognised.
Maybe I wouldn't have had the language to identify that but I knew it and there was an openness in the world I grew up in. When I was a teenager - 15, 16, 17 - and I was looking for someone in my age group who was representing it but I didn't necessarily have that. I had people in my parents' generation Maybe Ani Di Franco but she was late for me, when I was getting out of high school. I remember her identifying as bisexual, which again, was like: I understood base level sexuality - I was gay - but I didn't understand the sections of sexuality.
Soon after that she was getting married to a man But when we were in our twenties, I didn't feel like anybody's hero. In fact I often felt like a lot of gay people were like: I don't like your music, I don't like your politics! I think that's a result of when you have such an invisible group of people You only get two choices. What about if neither of those people represent you?
You end up with a weird backlash.
For us that was the challenge in the first few years of our career. It was so confusing. I guess being musicians, being visible at all is a strange thing for a human to come to terms with. You become something that people to look up to. When you vocalise an opinion that isn't in line with someone else often you create a visceral, strong reaction that isn't positive.Tegan and Sara on attracting straight women - Larry King Now - mawatari.info
It's hard to come to terms with. I knew you were a twin but I didn't realise your brother was gay. Now it seems really interesting. It's a really added bonus that we get to have these conversations and elevate these things into the mainstream. Even the terms 'Queer' - I feel like we don't use it in the UK anywhere near as much as in the States.
Tegan and Sara | my windows look into your living room
Isn't that a negative term? What word do you use? I say gay just because I feel like the word lesbian sounds like a bit like a disease. It's strange to me that with the word gay you can say 'you're 'gay'. But with Lesbian you have to say you're 'a' lesbian! The other day I was doing this interview and it was with a man who was gay.
He kept referring to me as a lesbian. I was like 'I don't identify as a lesbian. I identify as queer or gay'. He was so intrigued by that. I probably has a lot to do with my gender identity. I feel female but for some reason when it comes to my sexuality, I like the ambiguity and the spectrum of words like 'gay' and 'queer'.
You say you feel female but then again it's not like you wake you every day and say 'Oh, I'm a girl'! That question I often get asked is 'what's it like being a woman in the music industry'. Then I saw the band Savages say, It's like getting asked 'what's it like being a woman eating a sandwich'. I also think I don't know if I'll ever really feel like a woman.
I think I'll always feel like a girl. I know you get this. There are certain people who are fine with being called 'a lesbian' but for me it feels like a word that could be very quickly used in a way that feels derogatory and, going back to 'queer', for me there was almost like an academic layer to [it]. I can use that word and it allows me to address the intersection of gender and sexuality at the same time.
I have taken that word back for myself. It allows me more space to talk about and move around within my own identity. It's kind of refreshing. Now people are not only more aware and educated but they're willing to give you the space to say the things that you are instead of allowing them to define you. You're finally allowed to define yourself. That is like a brand new thing.
That ties in nicely with that fact you're redefining yourself as musicians. I get the feeling from this record that you're really proud of it, you can hear that in the music.
I'm a fan of every record but it's really interesting to see you stride so confidently into pop music, as trailblazers. I never feel like we're trailblazing but I do feel like we have a fearlessness. Although I'm racked with anxiety all the time but that's the trappings of being a self-aware person. I feel very mindful of who I am and what I am and both my strengths and weaknesses.
I just don't feel like people can hold us back any more in terms of the music we're making now. Once the guitar was out of my hands I felt like people didn't have the same weapon against us. I felt like "okay we don't play the guitar in the way these guitar gods play it" so fuck the guitar, I'm gonna make music the way I want to make music. And now there's a confidence and inspiration in making music without worrying that we're not doing it right. I think about this all the time when it comes to producing and writing.
There was this era when if you didn't do everything yourself people thought you were a ding-dong! I think, for us, it was like selling our merch, carrying gear on our backs, sleeping in parking lots, playing shows and booking shows but we're just empty-headed Barbies because we didn't produce the album ourselves percent I just feel like people are asking us to prove less. We have control, we have control over our career, we're bosses and people know that now.
There's less pressure to prove it all the time. I used to ask my twin brother Nick to come onstage so we could sing it together. There's a couple of tracks from this record that deal with your relationship to Sara and as a twin I found it really fascinating. I love my brother Nick so much but the idea of embarking on a career with him is bonkers. No, I completely understand. When people ask what's it like being in band with your sibling I say: Obviously I feel incredibly grateful that it's Sara I'm sharing a project with because we've seen so many acts deteriorate and fall apart and end - and that makes sense, like in any relationship.
You grow into different directions and there's no point in being together anymore.
Tegan and Sara
Or you see those awful bands that just stay together because it's obvious they recognise that they're gonna get paid, and they just stay together even though they hate each other. I'm grateful that I enjoy being a band with Sara. I still find her music really inspiring. I still love the way she writes. I love that she is the way she is. But it can be tough. We're very different Sara and I. People say "I'm bit like a dog and Sara's a bit like a cat! Who was born first?
Is there a natural leader between you both in terms of the dynamic? I definitely boss my twin around.
I think that we take turns. I think that's why we're less explosive and mean and get along so much better now because we're learned how to take turns and give each other space. I think that was probably the biggest lesson that we have learned and the biggest development to our relationship is that we learned that compromise was going to be a disaster because we were gonna both no get what we wanted.
So we learned how to give each other what the other one wants and to take turns going back and forth. When it comes to leadership it's similar: I think we learned how to give each other space to lead. I tend to be a people pleaser, I tend to be the one that tries to go along with everyone, I tend to be the one that's out front being the greeter and the hoster and Sara's more We've gotten where we've gotten because of that balance.
The Quin Sisters Want to Change the World
It's not easy, you're right to imagine it's totally mad to try to be in a band with your sibling and share a life and a face and a career I can't understand the face-sharing thing cos my brother is definitely a boy the last time I checked and I am definitely a girl!
Certainly as I've gotten older, I've realised that being a twin, you have this eternal connection to someone but that doesn't guarantee you eternal closeness. I don't know if it was like this for you growing up but when my dad went to a dinner party people would always ask "how are Nick and Shu?
It would never be seperate, like "how is Nick? This person who has always been very close to me, I now have physical distance from because I'm touring. It's good and bad, right? Like I feel "wow it must be amazing to be your own person and have your own identity!
My desire to be alone or be independent or be my own person, it's immediately dissipates when I imagine actually having it!
But that's what created the equilibrium over the years I suppose [and] when Sara lived in Montreal that gave us the distance we needed When I think about how special our relationship is and how unique our situation is and how incredible our career has been because we share it and because it's linked to family and our identity, it's incredible but then I think about what if she were gone?
I wanted to play music, this is what I wanted, I fought for it, I pushed for it and I felt resentment from Sara when we started because I knew she didn't really want that. I know there's something very suffocating and upsetting about that. I watched an incredible documentary about these twins and one of them decides to transition to a different sex and it was weird for the other twin because they'd always had a twin brother and now this brother was a twin sister.
It was a huge change in how they perceived themselves. I can relate to that. When Sara came out - I knew that she had a girlfriend and I knew that I liked girls - but when she came out, it felt like it outed me.
It was probably one of the harder times in our lives and it's weird, I wasn't upset that she was gay but by her being gay, it made me gay. It's hard to explain that to people. It's interesting that you brought up "Divided" There is something very insane about having feelings forced into something I wanted to play music, this is what I wanted, I fought for it, I pushed for it and I felt resentment from Sara when we started because I knew she didn't really want that and - Shura: Do you think that's changed now?
I don't know what she wanted to be That was ultimately that era, that's what divided us, that's why we were in therapy, because she basically, in her own words was 'I'm doing this because I feel sorry for you. This is what you want and I'm doing this for you'.
I felt like she sorta had me back into a corner. I felt trapped in that emotion. I felt like I had to tiptoe.